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The work is an invitation to consider how we experience time. If the duration remains the same, what is it that changes our perception of the moment? Why does it sometimes flash by, and others crawl? As we witness the dance, can we consider time.



Audience Impressions

"Beautiful - time rich - exquisite detail- ending was offered a shift in landscape and relationship with a promise of more.’

Caroline Salem, Choreographer

"The performance was beautiful to watch. The end part with the glasses was very poetic ... very inspiring use of 'silence' rather than music."

Olivia Lou

"It was honest and brave (not falling into the traps of being either decorative, or pretentiously 'pleasing'). The 'visual meditation' at the end was mesmerizing."

Aviv Yaron, photographer

“The piece was really gripping, intriguing and artful.” Daisy Brodskis, Dance Artist

“it was extremely refreshing to have TIME to notice and to feel the piece.” Dancer

“… I was moved by your work last night. You have a remarkable ability to streamline and carve out material to the bare essentials. At the same time there is an undeniable warmth to the piece. It is the very opposite of alienating. The costumes, the sound, and the presence of the glass all beautifully aligned and illuminated by the lighting. Congratulations to you and your team. I could feel the dedication that went in to produce this work. The result was simply beautiful.”

Julia Kalache, Visual artist

Peter Freeby

I design and build books, periodicals, brand materials, websites and marketing for a range of artists, non profits and educational programs including Elizabeth Murray, Jack Tworkov, Edith Schloss, Janice Biala, Joan Witek, George McNeil, Judy Dolnick, Jordan Eagles, John Silvis, Diane Von Furstenberg, The Generations Project, The Koch Institute, The McCandlish Phillips Journalism Institute and the Dow Jones News Fund.

https://peterfreeby.com
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Nothingness

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Triptych